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On that note, "So Disrespectful" is the most successful track, in that it'll be the one that gets talked about. There's the part where a trip to the South turns into a murder spree and he pistol-whips his drug-addled uncle, but it's his staggering anti-romance that provides the most creepy shock: "she was 20, I was 12/ Nana said she raped me/ I just smiled ear to ear saying 'take it, baby, take it.'"Īs good as the ruffneck stuff generally is, he's way more entertaining when he's fucking around with people. He disarmingly sings along with the Jackson 5 sample that begins "Then Days Went By" before reshaping his "Hate It or Love It" verse into a squalid blaxploitation that makes you think he'd view Precious as a comedy. "The Invitation" and "Death to My Enemies" snarl with a ferocity that's refreshing in the context of 50's recent output as well as the current hip-pop landscape where meat'n'potatoes gangsta is actually kinda novel. He's still got that voice, and when he wants, it can still intoxicate and overwhelm with sheer menace. It's transparent pandering on the level of "Amusement Park", but the difference is that 50 still can rap convincingly about his financial power moves whereas every bit of sexual pursuit simply bores him to death- he can't even really make a love song about his guns these days (see "Hold Me Down"). In other words, the sort of guy who thought "Blood Hound" and "Back Down" were by far the best tracks from Get Rich or Die Tryin'. The "50th law" essentially lionizes fearlessness and a deep connection with the public, qualities almost entirely absent from his last two albums- Curtis sounded a hell of a lot like a rap record made by a guy who lives in a Connecticut mansion, while the profoundly bored War Angel LP only served as proof of how the mixtape game he revolutionized had completely passed him by.īut 50's nothing if not calculating, and while Before I Self Destruct might not be designed to reach the pretty impressive first week sales of Curtis, it may be a wiser move making it to appeal to listener who still might be rooting for the guy. Kanye West isn't mentioned once in the book), there was little insight to 50's music-making process. It held up its end of the bargain on the first part, but amidst the surprisingly practical advice and hilariously revisionist history (a staged thrashing of an Interscope office is remembered as a PR coup for Curtis. Surely, I'd learn some sort of hustling tactic that would allow me to make back my $20 and then some. Like most non-musical projects involving 50 Cent, his co-authored book of Machiavellian strategy stood a good chance at being mindlessly entertaining, and fuck- I wouldn't mind being as rich as he is. Watch the performances on YouTube by clicking the links below.So I bought The 50th Law. At center field, Jhene Aiko belted “America The Beautiful” before Mickey Guyton sung the National Anthem. Prior to kick off, Mary Mary performed “Lift Every Voice & Sing” alongside an orchestra outside of SoFi Stadium. With Anderson.Paak on the drums, Eminem exploded on the stage to “Forgot About Dre” and commandeered the crowd to “Lose Yourself” before he elected to take a knee for Colin Kaepernick.įor the grand finale, Dre returned to the stage for a piano rendition of “Still D.R.E”, before he and Snoop segued into the classic song. city” before launching into his powerful track, “Alright”. Meanwhile, Kendrick Lamar popped on the field to “m.A.A.d. Blige graced the stage with her Dre-produced hit “Family Affair” followed by “No More Drama”. Hanging upside down in a room full of dancers, 50 Cent made his surprise appearance performing “In Da Club”, while recreating the iconic music video. Dre and Snoop Dogg kicked off the epic performance with “The Next Episode” and the home state anthem “California Love”. Perched on top of an all-white set resembling their hometown, Dr. Dre lead a star-studded cast of performers during the Pepsi Super Bowl LVI halftime show at SoFi Stadium in Inglewood, CA on Sunday (Feb.